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Likewise, Sullivan’s sickeningly awesome use of stop-motion animation, unsettling contact lenses and copious amounts of decaying bodies and blood (created by combining food coloring, corn syrup and coffee) rival the work done by any of his peers or proteges. Primarily, Raimi’s idiosyncratic shooting methods are still ingeniously effective at capturing the perspective of the ever-persistent evil presence.
#EVIL DEAD 2013 CAST MOVIE#
Virtually everything about the movie – including its endearingly inexperienced acting – holds up as wildly useful, frightening and innovative. The Evil Dead was popular with critics and casual audiences at the time, earning an estimated 29.4 million worldwide while garnering praise from major outlets such as Fangoria, NME, the Los Angeles Times and Variety. The suffering that Raimi and company withstood behind-the-scenes was suddenly paying off. Centering on a few unlucky college students who succumb to demonic possession, its unnerving audio palette, nauseatingly effective carnage and imaginative direction was so visceral, confident and refreshing that Stephen King deemed it the "most ferociously original horror film of the year." Such a notable endorsement helped it get wider international distribution, including a simultaneous release in theaters and on VHS in the U.S. Lovecraft’s Necronomicon), The Evil Dead expanded upon Within the Woods’ concept in every way. Originally called Book of the Dead (in reference to H.P. (This tactic alone proved influential: The Evil Dead assistant editor Joel Cohen did something similar to get 1984’s Blood Simple off of the ground, as did David F. It worked, granting them a vastly bigger budget (around $375,000) with which to bring back Campbell, costar Ellen Sandweiss and makeup effects artist Tom Sullivan. So, he, executive producer Robert Tapert and executive producer and lead actor Bruce Campbell studied the genre as they prepared to create a “prototype” short film, Within the Woods, to “show investors what kind of film they’d be buying into” (as Raimi told John Gallagher in 1982). What’s more, its underdog tenacity, resourceful techniques and enormous cult success paved the way for modern indie horror, motivating innumerable other hopeful directors to develop comparatively characteristic cinematic voices.Īfter getting his feet wet with amateurish comedies, director Raimi decided to shift gears and try something scary. Decades later this humble horror odyssey remains chillingly charming, birthing not only its own sprawling multimedia universe but also its own subgenre.